h1

Infotainment: The need for critical science journalism

May 23, 2013

The bulk of contemporary science journalism falls under the category of “infotainment”. This expression describes science writing that informs a non-specialist target audience about new scientific discoveries in an entertaining fashion. The “informing” typically consists of giving the reader some historical background surrounding the scientific study, summarises key findings and then describes the significance and implications of the research. Analogies are used to convey complex scientific concepts so that a reader without a professional scientific background can grasp the ideas driving the research.

Direct quotes from the researchers also help illustrate the motivations, relevance, and emotional impact of the findings. The entertainment component varies widely, ranging from an enticing or witty style of writing to the choice of the subject matter. Freaky copulation techniques in the animal kingdom, discoveries that change our views about the beginnings of the universe or of life, heart-warming stories about ailing children that might be cured through new scientific breakthroughs, sci-fi robots, quirky anecdotes or heroic struggles of the scientists involved in the research – these are examples of topics that will capture the imagination of the intended audience.

Written by Jalees Rehman, MD. Continue reading at The Guardian

h1

Why Rational People Buy Into Conspiracy Theories

May 23, 2013

In the days following the bombings at the Boston Marathon, speculation online regarding the identity and motive of the unknown perpetrator or perpetrators was rampant. And once the Tsarnaev brothers were identified and the manhunt came to a close, the speculation didn’t cease. It took a new form. A sampling: Maybe the brothers Tsarnaev were just patsies, fall guys set up to take the heat for a mysterious Saudi with high-level connections; or maybe they were innocent, but instead of the Saudis, the actual bomber had acted on behalf of a rogue branch of our own government; or what if the Tsarnaevs were behind the attacks, but were secretly working for a larger organization?

Written by MAGGIE KOERTH-BAKER. Continue Reading at NYT

h1

A young Houston couple is planning to give away $4 billion—but only to projects that prove they are “worth it”. Can they redefine the world of philanthropy?

May 23, 2013

LIKE ANY POPULAR food writer, Gary Taubes gets more than his share of e-mails about his work. So he didn’t give it much thought one day two years ago when he got a five-line comment about a podcast he’d given the week before. It was plainly signed “John.”

The man was intrigued by Taubes’s theories on why people get fat—more specifically, the food writer’s argument that most of the science on obesity is either badly flawed or inconclusive. What was needed, Taubes had said, was a comprehensive experiment that can answer some of the key questions about how our bodies process food. The problem is that such a study is hugely expensive. “From the little I know about the science of nutrition, your study makes a lot of sense,” the listener wrote, adding that he ran a foundation focused on public policy.

Taubes noticed that the full name in the email was John Arnold, and a quick Google GOOG -0.75% search turned up a curious figure under that name: a wunderkind natural-gas trader at Enron who later founded his own hedge fund. The fund was secretive—little-known in its hometown, Houston, much less the rest of the country—but legendary in hedge-fund circles for its mega-returns. It was starting to get interesting.

Taubes passed the name onto Peter Attia, a medical doctor with whom he had recently founded a nonprofit focused on nutrition science.
Attia recalls that when he called to see if he could set up a meeting with Arnold, the response was, “First give us the names of 20 top experts in the field, half of whom think you are crazy.” A few weeks later, he found himself in a conference room located just off the trading floor at Arnold’s Houston office, during which it became apparent that Arnold and his staff had already spoken with most, if not all, of the experts Attia provided. And something else was apparent: Though boyish and just 37, Arnold was dead serious about launching the obesity study. Indeed, his ambitions couldn’t have been higher. He wanted to know if all the best and brightest food scientists got together—and had unlimited resources—what could they accomplish?

Continue Reading at Wall Street Journal

h1

Harm-Less by Sonia Rentsch

May 23, 2013

http://www.soniarentsch.com/Harm-Less

h1

Philosophical Temperaments: From Plato to Foucault

May 23, 2013

Peter Sloterdijk turns his keen eye to the history of western thought, conducting colorful readings of the lives and ideas of the world’s most influential intellectuals. Featuring nineteen vignettes rich in personal characterizations and theoretical analysis, Sloterdijk’s companionable volume casts the development of philosophical thinking not as a buildup of compelling books and arguments but as a lifelong, intimate struggle with intellectual and spiritual movements, filled with as many pitfalls and derailments as transcendent breakthroughs.

Sloterdijk delves into the work and times of Aristotle, Augustine, Bruno, Descartes, Foucault, Fichte, Hegel, Husserl, Kant, Kierkegaard, Leibniz, Marx, Nietzsche, Pascal, Plato, Sartre, Schelling, Schopenhauer, and Wittgenstein. He provocatively juxtaposes Plato against shamanism and Marx against Gnosticism, revealing both the vital external influences shaping these intellectuals’ thought and the excitement and wonder generated by the application of their thinking in the real world. The philosophical “temperament” as conceived by Sloterdijk represents the uniquely creative encounter between the mind and a diverse array of cultures. It marks these philosophers’ singular achievements and the special dynamic at play in philosophy as a whole. Creston Davis’s introduction details Sloterdijk’s own temperament, surveying the celebrated thinker’s intellectual context, rhetorical style, and philosophical persona.

Text and Image via CUP

h1

Spheres Of Action

May 23, 2013

Contemporary art is increasingly part of a wider network of cultural practices, related through a common set of references in cultural theory. Within Europe, relations between national theoretical traditions have become more fluid and dynamic, creating an increasingly transnational—or postnational—space for European cultural and art theory. This book offers a snapshot of recent influential work in contemporary art and political theory in France, Italy, and Germany, in the form of original writings by major representatives of each of the three overlapping national traditions.

In France, debates center on the status and possibilities of the image. Éric Alliez, Georges Didi-Huberman, Elisabeth Lebovici, and Jacques Rancière each adopt a distinctive approach to the making, undoing, and remaking of aesthetic images in contemporary art and their political significance. From Italy, Antonio Negri, Maurizio Lazzarato, Judith Revel, and Franco Berardi each address the “immaterial” situation of contemporary art. From Germany, Peter Sloterdijk, Peter Weibel, and Boris Groys reassess the contemporary legacy of postwar art, demonstrating appropriations of vitalism, structuralism, and deconstruction, respectively.

Text and Image via MIT Press

h1

Cinephilia – 3

May 23, 2013

Movies we might want to see (if we haven’t already.)

The Act of Killing (2012): A documentary that challenges former Indonesian death squad leaders to reenact their real-life mass-killings in whichever cinematic genres they wish, including classic Hollywood crime scenarios and lavish musical numbers. Text via IMDb

The Wall (2012) Die Wand (original title): A woman inexplicably finds herself cut off from all human contact when an invisible, unyielding wall suddenly surrounds the countryside. Accompanied by her loyal dog Lynx, she becomes immersed in a world untouched by civilization and ruled by the laws of nature. Text via IMDb

Post Tenebras Lux (2012): Juan and his urban family live in the Mexican countryside, where they enjoy and suffer a world apart. And nobody knows if these two worlds are complementary or if they strive to eliminate one another. Text via IMDb

Berberian Sound Studio (2012): A sound engineer’s work for an Italian horror studio becomes a terrifying case of life imitating art. Text via IMDb

Leviathan (2012): A documentary shot in the North Atlantic and focused on the commercial fishing industry. Text via IMDb