Ferienne is the third installment of an ongoing experimental study on fluid dynamics, magnetism and cymatics. These invisible forces of nature are then made visible through various liquids and mixtures, and they form patterns that are otherwise invisible to the naked eye.

afiqomar.com

The Center for PostNatural History is dedicated to the advancement of knowledge relating to the complex interplay between culture, nature and biotechnology. The PostNatural refers to living organisms that have been altered through processes such as selective breeding or genetic engineering. The mission of the Center for PostNatural History is to acquire, interpret and provide access to a collection of living, preserved and documented organisms of postnatural origin.

The Center for PostNatural History addresses this goal through three primary initiatives:

The maintenance of a unique catalog of living, preserved and documented specimens of postnatural origin.

The production of traveling exhibitions that address the PostNatural through thematic and regional perspectives.

The establishment of a permanent exhibition and research facility for PostNatural studies.

Text via The Center for PostNatural History

The body contains 10 times more bacteria, fungi and other micro-organisms than human cells. Most of these species are harmless—although they can still cause illness if they wind up in the wrong place. In addition, researchers are beginning to learn exactly how some microbial species in the body help digestion and contribute to regulation of appetite and the immune system.

Learn about the bacteria, fungi and other micro-organisms that maintain human health HERE

Parasitic worms leave millions of victims paralyzed, epileptic, or worse. So why isn’t anyone mobilizing to eradicate them?

Theodore Nash sees only a few dozen patients a year in his clinic at the National Institutes of Health in Bethesda, Maryland. That’s pretty small as medical practices go, but what his patients lack in number they make up for in the intensity of their symptoms. Some fall into comas. Some are paralyzed down one side of their body. Others can’t walk a straight line. Still others come to Nash partially blind, or with so much fluid in their brain that they need shunts implanted to relieve the pressure. Some lose the ability to speak; many fall into violent seizures.

Underneath this panoply of symptoms is the same cause, captured in the MRI scans that Nash takes of his patients’ brains. Each brain contains one or more whitish blobs. You might guess that these are tumors. But Nash knows the blobs are not made of the patient’s own cells. They are tapeworms. Aliens.

Excerpt from an article written by Carl Zimmer, DISCOVER. Continue HERE

Imagine charging your phone as you walk, thanks to a paper-thin generator embedded in the sole of your shoe. This futuristic scenario is now a little closer to reality. Scientists from the U.S. Department of Energy’s Lawrence Berkeley National Laboratory (Berkeley Lab) have developed a way to generate power using harmless viruses that convert mechanical energy into electricity.

It also points to a simpler way to make microelectronic devices. That’s because the viruses arrange themselves into an orderly film that enables the generator to work. Self-assembly is a much sought after goal in the finicky world of nanotechnology.

Excerpt of a press release written by Dan Krotz, Berkeley Lab. Continue HERE

On May 14, Jeannette Ginslov gave a Medea Talk about the developmental stages of the AffeXity project, the interdependence of the collaborators, the relational and dynamic formation of technical and human intervention, the encounters of the carnal and the digital, the dialogic and temporal scaffolding of encounters of techne and the hands that attempt to capture affect.

JEANNETTE GINSLOV is Medea’s artist-in-residence this spring. Her roots are as performer, choreographer and artistic director in South Africa, but for the last five years she has focused more on interdisciplinary platforms investigating the crossover between the media/dance/cinema/video and the internet.

Her work centers around affect, haptic and digital materiality on several platforms: stage, screens, online and new media applications. Ginslov is currently working with Prof Susan Kozel at Medea on the project AffeXity that draws together screendance, visual imagery and mobile networked devices.

Text Via MEDEA

Einstein averred that “the most incomprehensible thing about the universe is that it is comprehensible”. He was right to be astonished. It seems sur­prising that our minds, which evolved to cope with life on the African savannah and haven’t changed much in 10,000 years, can make sense of phenomena far from our everyday intuitions: the microworld of atoms and the vastness of the cosmos. But our comprehension could one day “hit the buffers”. A monkey is unaware that atoms exist. Likewise, our brainpower may not stretch to the deepest aspects of reality. The bedrock nature of space and time, and the structure of our entire universe, may remain “open frontiers” beyond human grasp. Indeed, our everyday world presents intellectual challenges just as daunting as those of the cosmos and the quantum, and that is where 99 per cent of scientists focus their efforts. Even the smallest insect, with its intricate structure, is far more complex than either an atom or a star.

Everything, however complicated – breaking waves, migrating birds, or tropical forests – is made up of atoms and obeys the equations of quantum physics. That, at least, is what most scientists believe, and there is no reason to doubt it. Yet there are inherent limits to science’s predictive power. Some things, like the orbits of the planets, can be calculated far into the future. But that’s atypical. In most contexts, there is a limit. Even the most fine-grained compu­tation can only forecast British weather a few days ahead. There are limits to what can ever be learned about the future, however powerful computers become. And even if we could build a computer with hugely superhuman processing power, which could offer an accurate simulation, that doesn’t mean that we will have the insight to understand it. Some of the “aha” insights that scientists strive for may have to await the emergence of post-human intellects.

Article written by Martin Rees, Via Newstatesman

By exploiting the subjective, associative impact of smells, in combination with visual images, Peter De Cupere generates a kind of meta-sensory experience that goes beyond purely seeing or smelling. Plastic artist De Cupere paints with scents, produces olfactory objects, soap paintings and sculptures, creates video and live performances, makes three-dimensional drawings and builds poetic smell installations.

Everyone who has ever smelt Peter De Cupere‘s work cannot fail to recognise that his works prompt quite a reaction. You either love it or you feel attacked via your nasal senses. If the latter is true it is often because the spectator adopts a reserved attitude at first as a result of being wary of the unknown. That is exactly why smells in art have been and are still positively avoided. People like to compare and want a return or recognition. This is difficult with smells because they act directly on the limbic system and don‘t give you the necessary time and chance to translate things like you do with „sight“. Smells act on your memory subconsciously and so you associate your own subjective feelings with a specific smell. Your attitude to the object is determined by the smell memory of a certain moment. Add then the combination with the visual aspect of the artwork and you get a mix that does not appear to be completely predictable. Alongside the pleasance of some smells there are also smells that warn us of danger though we do not always need these indications because of habituation. If you cross the street there are many damaging smells present because of pollution: exhaust fumes, rotting processes from discarded foodstuffs, toxic fumes from asphalt and other building materials that are freed by heat from the sun, polluted rain, sewers, etc. But the normal city person has become used to all the exhaust fumes and other air-polluting substances.

Smoke Room, 750.000 used cigarette butts.

Olfactiano: A piano-like instrument that emits different smells when played called ‘Scent Concerts.’

Smell Me Project.

Text via Peter De Cupere

First image above VIA

In the future, ultra-high-density non-volatile storage — such as hard drives — could be grown using magnetic bacteria.

To turn this behavior into something that can actually act as magnetic storage, the researchers identified and extracted the protein responsible for converting iron into magnetite — Mms6. A gold substrate is then covered in a checkerboard fashion with chemicals that bind to Mms6, and the substrate is dunked in the protein. The whole caboodle is then washed with an iron solution, turning each of the Mms6 sites into a magnetic bit (pictured above)

Excerpt of an article written by Sebastian Anthony, Extreme Tech. Continue HERE

Your relationship is on the rocks. Begrudgingly, you and your significant other visit a marriage counselor in the hopes that there’s still something left to salvage in your relationship. You both spill your guts and admit that the love is gone. The counselor listens attentively, nodding her head every now and then in complete understanding. At the end of the session she offers the two of you some practical words of advice and sees you on your way. Oh, but before you leave she fills out a prescription for the two of you. Your marriage, it would seem, has been placed on meds.

Now, as messed up as this scenario might seem, this could very well be the future of marriage counseling. At least that’s what Oxford neuroethicists Julian Savulescu and Anders Sandberg believe. In their paper, “Neuroenhancement of Love and Marriage: The Chemicals Between Us,” they argue that such a possibility awaits us in the not-too-distant future, and that a kind of ‘love potion’ could eventually be developed to strengthen pair bonding. In fact, most of the compounds required to make such a concoction are already within our grasp. It’s just a matter of doing it.

Excerpt of an article written by George Dvorsky at io9 . Continue HERE

For +++ George Dvorsky, read our interview George Dvorsky: On video-gaming pets, the future of nonhuman animals, and cultural uplift.

Many strands of Eric Kandel’s life come together in his latest work, The Age of Insight: The Quest to Understand the Unconscious in Art, Mind, and Brain, from Vienna 1900 to the Present. The 82-year-old University Professor and co-director of the Mind Brain Behavior Initiative was born in Vienna, where, as a boy of 8, he witnessed the Nazis march into the Austrian capital. Decades later, he recalls how much his own intellectual interests were shaped not only by the Holocaust that followed, but by the cosmopolitan city that in the early 1900 served as an extraordinary incubator for creativity and thought that shaped the world we live in today.

Q. What made you decide to turn your attention to the neurobiology of how we perceive art?

There are many motivating factors. One was my longterm interest in Klimt, Kokoschka and Schiele, the three Austrian Modernists, my fascination with Vienna 1900 and with Freud. I wanted to become a psychoanalyst and I’m Viennese so I sense a shared intellectual history, particularly with turn-of-the-century Vienna. But the immediate stimulus actually came from [Columbia President] Lee Bollinger. The idea behind the Mind Brain Behavior Initiative is to try to understand the human mind in biological terms and to use these insights to bridge the biology of the brain with other areas of the humanities. Lee expressed the belief that the new science of the mind could have a major impact on the academic curriculum, that in a sense everyone at the University works on the human mind. I felt I was doing this for personal reasons, but isn’t it wonderful that it is also in line with one of the missions of the University?

Excerpts from an Interview at Columbia University in the City of New York

This is not a humble book. Edward O. Wilson wants to answer the questions Paul Gauguin used as the title of one of his most famous paintings: “Where do we come from? What are we? Where are we going?” At the start, Wilson notes that religion is no help at all — “mythmaking could never discover the origin and meaning of humanity” — and contemporary philosophy is also irrelevant, having “long ago abandoned the foundational questions about human existence.” The proper approach to answering these deep questions is the application of the methods of science, including archaeology, neuroscience and evolutionary biology. Also, we should study insects.

In “The Social Conquest of Earth,” he explores the strange kinship between humans and some insects. Wilson calculates that one can stack up log-style all humans alive today into a cube that’s about a mile on each side, easily hidden in the Grand Canyon. And all the ants on earth would fit into a cube of similar size. More important, humans and certain insects are the planet’s ­“eusocial” species — the only species that form communities that contain multiple generations and where, as part of a division of labor, community members sometimes perform altruistic acts for the benefit of others.

Excerpt from an article written by PAUL BLOOM, NYT. Continue HERE
Image above: Edward O. Wilson holds a jar of ant specimens from a dig in Puerto Rico.

GLOBE / HEDRON is a bamboo greenhouse designed to organically grow fish and vegetables on top of generic flat roofs. The design is optimized for aquaponic farming techniques: the fish’s water nourishes the plants and plants clean the water for the fish.
Using this farming technique, GLOBE / HEDRON is optimized to feed four families of four all year round.

GLOBE / HEDRON is designed to be manufactured and retailed at a low cost. Easy-to-set-up units can be combined to scale up food production capacity.

Using a geodesic dome, the load of the fish tank rests on the frame of the greenhouse and is redistributed to a larger surface. Because of this design, the aquaponic farm can be housed on more roofs without any structural building adaptation. The dome structure is designed to be built with bamboo, so that it is biodegradable and organically farmed.

GLOBE / HEDRON is designed by Antonio Scarponi / Conceptual Devices in collaboration with UrbanFarmers. They are fundraising the first prototype with indiegogo: help them build it.

Text and Images via Conceptual Devices

Many people constantly update about their lives on social networking sites like Facebook and Twitter mainly because of the “kicks” that self-disclosure offers, according to a new Harvard study.

The study found that sharing personal information is as good as eating food or even having sex. The nucleus accumbens (NAcc) and the ventral tegmental area (VTA), regions that are associated with reward, were active when people talked about themselves.

Continue article at Medical Daily

Polymer scaffolds guide stem cells growth into customized sizes and shapes.

LOS ANGELES (KABC): Dentures are the past, dental implants are the present — could the future be teeth grown from stem cells?

The teeth can be grown in the lab and implanted in the patient or they could actually grow inside the patient’s mouth, filling in empty spaces with new teeth in just a few months.

Extract of an article via ABC Local. Continue HERE

Researchers Using Stem Cells to Grow New Teeth at Singularity Hub