The body contains 10 times more bacteria, fungi and other micro-organisms than human cells. Most of these species are harmless—although they can still cause illness if they wind up in the wrong place. In addition, researchers are beginning to learn exactly how some microbial species in the body help digestion and contribute to regulation of appetite and the immune system.

Learn about the bacteria, fungi and other micro-organisms that maintain human health HERE

‘The only true wisdom lives far from mankind, out in the great loneliness, and it can be reached only through suffering. Privation and suffering alone can open the mind of a man to all that is hidden to others.’ – Inuit shaman Najagneq, recorded by Knud Rasmussen1

‘If you want to build a modular, my advice is not to do it if you want to have any friends, it takes too much time.’ – Jessica Rylan2

Over the past few years, a strong reaction against the sterile world of laptop sound and video has inspired a new interest in analog processes, or “hands dirty” art in the words of practitioner John Richards3. With this renewed analog interest comes a fresh exploration of the pioneers of the electronic arts during the pre-digital era of the 1960s and 1970s. Artists and inventors such as Nam June Paik, Steina & Woody Vasulka, Don Buchla, Serge Tcherepnin, Dan Sandin and David Tudor all constructed their own unique instruments long before similar tools became commercially available or freely downloadable4– often through a long, rigorous process of self-education in electronics.

Text and Image via Vague Terrain

The Automatypewriter is a typewriter that can type on its own, as well as detect what you type on it. By reading what it types to you and responding, it can be used interactively to play a game or participate in a story (in this case, Zork).

Text via Up, not North

Antonio De Rosa’s Instagram Socialmatic Project concept.

In the age of cell phones and other mobile devices with network and photographic capabilities, the art of taking photographs has become as daily a process as brushing one’s teeth or walking to work or school. In a sense, the art of photography has been lost in the phrase “everything that can be made, can be made social.” The ubiquity of the camera, assuming the form and shape of objects that we carry with us daily, has turned the act of taking a photo into an everyday duty rather than an artistic rendering. In addition, the advent of 80% of a global population carrying around a video and still image recording device with them daily has led to an overabundance of information and media gathering.

Responding to the challenge of transforming the traditional act of photography into something new that utilizes the strengths of the internet, artists are creating projects that not only question what it means to take a picture, but also to share and collaborate on the meaning of photography as it’s evolving in the world of Web 2.0. Within the context of crowdsourcing, two projects take advantage of the multitudes of human thought and expression circulating through the internet.

Text and Images via The Creators Projects

Electronic Instant Camera,” 2011.

In this talk, Dries Buytaert (original creator and project lead of Drupal) shares his experiences on how he grew the Drupal community from just one person to over 800,000 members over the past 10 years. Today, the Drupal community is one of the largest and most active Open Source projects in the world, powering 1 out of 50 websites in the world. The concept of major projects growing out of a volunteer, community-based model is not new to the world. Volunteer networks and communities exist in many shapes and sizes. Throughout history there are examples of pure volunteer organizations that were instrumental in the founding and formation of many projects. For example, the first trade routes were ancient trackways which citizens later developed on their own into roads suited for wheeled vehicles in order to improve commerce. Transportation was improved for all citizens, driven by the commercial interest of some. Today, we certainly appreciate that our governments maintain the roads. However, we still see road signs stating that a particular section of a highway is kept clean and trim by volunteers — at least in some countries. When new ground needs to be broken, it’s often volunteer communities that do it. But a full-time, paid infrastructure can be necessary for the preservation and protection of what communities begin. In this presentation, Dries wants to brainstorm about how large communities evolve and how to sustain them over time.

Some questions to think about ahead of the presentation:

Do you know examples of large organizations that have grown out of volunteer communities?
Why do some communities keep growing while other communities come to a halt?
Is the commercialization of a volunteer-driven community part of a community’s natural life-cycle?
Is it inevitable that over time the operation and/or leadership of volunteer communities are transferred to paid personnel?

Tuesday, May 29, 12:30 pm
Berkman Center, 23 Everett Street, second floor
RSVP required for those attending in person via the form below
This event will be webcast live at 12:30 pm ET and archived on our site shortly after.

Via Berkman Center for Internet & Society

Imagine charging your phone as you walk, thanks to a paper-thin generator embedded in the sole of your shoe. This futuristic scenario is now a little closer to reality. Scientists from the U.S. Department of Energy’s Lawrence Berkeley National Laboratory (Berkeley Lab) have developed a way to generate power using harmless viruses that convert mechanical energy into electricity.

It also points to a simpler way to make microelectronic devices. That’s because the viruses arrange themselves into an orderly film that enables the generator to work. Self-assembly is a much sought after goal in the finicky world of nanotechnology.

Excerpt of a press release written by Dan Krotz, Berkeley Lab. Continue HERE

On May 14, Jeannette Ginslov gave a Medea Talk about the developmental stages of the AffeXity project, the interdependence of the collaborators, the relational and dynamic formation of technical and human intervention, the encounters of the carnal and the digital, the dialogic and temporal scaffolding of encounters of techne and the hands that attempt to capture affect.

JEANNETTE GINSLOV is Medea’s artist-in-residence this spring. Her roots are as performer, choreographer and artistic director in South Africa, but for the last five years she has focused more on interdisciplinary platforms investigating the crossover between the media/dance/cinema/video and the internet.

Her work centers around affect, haptic and digital materiality on several platforms: stage, screens, online and new media applications. Ginslov is currently working with Prof Susan Kozel at Medea on the project AffeXity that draws together screendance, visual imagery and mobile networked devices.

Text Via MEDEA

In the future, ultra-high-density non-volatile storage — such as hard drives — could be grown using magnetic bacteria.

To turn this behavior into something that can actually act as magnetic storage, the researchers identified and extracted the protein responsible for converting iron into magnetite — Mms6. A gold substrate is then covered in a checkerboard fashion with chemicals that bind to Mms6, and the substrate is dunked in the protein. The whole caboodle is then washed with an iron solution, turning each of the Mms6 sites into a magnetic bit (pictured above)

Excerpt of an article written by Sebastian Anthony, Extreme Tech. Continue HERE

Motherboard‘s documentary on Occupy Wall Street, hacktivism, and the hackers trying to build a distributed network for the Occupy movement and beyond.

http://freenetworkfoundation.org/

HAVING helped spread the internet’s tentacles across the globe, boffins are now thinking of extending them further. Assorted space agencies believe it would be rather nifty if the world wide web encompassed more of the world than just one planet. Those at the European Space Agency (ESA) are therefore designing an interplanetary network, which might help space stations, planetary rovers, astronauts and ground stations communicate more effectively.

For now, orbital internet is limited to the ISS. Since January 2010 its astronauts have had access to so-called Crew Support LAN, which uses satellites to provide a brisk, reliable internet connection. Before, going online in orbit was a hassle. E-mails, tweets and other online exchanges had to be relayed through a colleague on Earth, hardly ideal, especially for intimate communications. The current system has undoubtedly improved the quality of life in the ISS, helping to ease the sense of isolation. It is a far cry from interplanetary social networking. But it is a start.

Text and Image via The Economist

Molleindustria aims to reappropriate video games as a popular form of mass communication. Our objective is to investigate the persuasive potentials of the medium by subverting mainstream video gaming clichè (and possibly have fun in the process).

According to founder Paolo Pedercini:

We can no longer consider videogaming as a marginal element of our everyday lives. In recent years, the turnover of the videogame industry has exceeded that of cinema, and there are a growing number of adult and female players. There are more frequent overlaps with other media: there are videogames for advertisements (advergames), for educational purposes and for electoral propaganda. space invadersHow did videogames become such a central element of the mediascape? During the second half of the nineties, major entertainment corporations extended their activities in this sector and extinguished or absorbed small producers.
Now videogames are an integral part of the global cultural industry, and they are in a strategic position in the ongoing processes of media convergence. These developments inhibit the political and artistic emancipation of this medium: every code line is written for the profit of a big corporation.

All text via Molleindustria

Surveying the landscape, we saw there were many overlapping, spreadsheet-based, directory projects. We identified a need to standardize the data collected, liberate it from Google, and assist data submission and editing with form validation, editorial workflows, and community participation.

Text via http://directory.occupy.net/

http://www.uglitch.com

Over the last few years, a wide range of new publishing initiatives have developed within the arts and design fields. New book fairs are emerging in major cities, small publishing houses and independent presses are frequently initiated and the alternative bookshop seems to recurrently be reborn in new forms. Something that seems to tie these activities together, is that they are run by practitioners themselves — photographers, artists, authors and graphic designers — often with a visionary idea of how to redefine the world of publishing.

On May 25th 2012, a few of these interesting and inspiring practitioners have been invited to Stockholm to take part in the seminar ‘Publishing as (part-time) Practice’. Confirmed participating publishers are: Elin Maria Olaussen / Karen Christine Tandberg from Torpedo Books and Press (NO), Georg Rutishauser from Edition Fink (CH), Matthew Stadler from Publication Studio (US), Anna Gerber / Britt Iversen from Visual Editions (UK), Nille Svensson from Nilleditions (SE), Jacob Grønbech Jensen / Rikard Heberling / Emi-Simone Zawall from Drucksache (SE) and more to be announced. Andrew Blauvelt from Walker Art Center (US) will introduce the event as well as provide a concluding reflection at the end of the evening.

Text via Konst & Teknik