Earth’s clouds got a little lower — about one percent on average — during the first decade of this century, finds a new NASA-funded university study based on NASA satellite data. The results have potential implications for future global climate.
Scientists at the University of Auckland in New Zealand analyzed the first 10 years of global cloud-top height measurements (from March 2000 to February 2010) from the Multi-angle Imaging SpectroRadiometer (MISR) instrument on NASA’s Terra spacecraft. The study, published recently in the journal Geophysical Research Letters, revealed an overall trend of decreasing cloud height. Global average cloud height declined by around one percent over the decade, or by around 100 to 130 feet (30 to 40 meters). Most of the reduction was due to fewer clouds occurring at very high altitudes.
Lead researcher Roger Davies said that while the record is too short to be definitive, it provides a hint that something quite important might be going on. Longer-term monitoring will be required to determine the significance of the observation for global temperatures.
The physical form of language is a record of collective memory.
In this monotype typeface, the height of the letterforms is determined by how often a letter is used. This typeface maps the rhythmic ebb and flow of English.
Each letter sits in a 6 x 6 inch square, allowing for any combination of letters to run seamlessly both vertically and horizontally.
In the Congo Basin, Bayaka pygmies patrol their forests with handheld tracking devices. Using the devices to record instances of poaching, industrial roads and illegal logging, they map their landscape, documenting the course of deforestation and harmful development.
The project is part of an emerging field that its champions describe as the ‘new wave’ of citizen science. With endeavours ranging from air-pollution assessments in Europe to chimpanzee counting in Tanzania, the next generation of citizen science attempts to make communities active stakeholders in research that affects them, and use their work to push forward policy changes. This is one of the main points of focus of the London Citizen Cyberscience Summit being held this week at the Royal Geographical Society and University College London.
Although researchers have been calling on amateurs and enthusiasts for decades to aid in collecting and processing large volumes of data, the latest approaches aim to enlist the public in helping to shape research questions, says Francois Grey, a physicist at Tsinghua University in Beijing and coordinator of the Citizen Cyberscience Centre in Geneva, Switzerland. Grey, an organizer of the summit, maintains that communities can play a valuable part in setting the agenda for scientific investigations.
Written by Katherine Rowland, Nature. Continue HERE
KULTIVATOR is an experimental cooperation of organic farming and visual art practice, situated in rural village Dyestad, on the island Öland on the southeast coast of Sweden.
By installing certain functions in abandoned farm facilities, near to the active agriculture community, Kultivator provide a meeting and working space that points out the parallels between provision production and art practice, between concrete and abstract processes for survival.
Kultivator initiates and executes meetings between idealism and realism, hoping that fruitful cooperation’s should take form.
Earth is surrounded by a cloud of more than half a million pieces of space junk, from bus-size spent rocket stages to tiny flecks of paint. Orbiting at breakneck speeds, every last bit poses grave dangers — and means huge insurance premiums — for operational satellites, and it threatens the International Space Station, too. Every time two orbiting objects collide, they break up into thousands more pieces of debris.
To combat this growing headache, Swiss scientists and engineers have announced the launch of CleanSpace One, a project to build the first in a family of “janitor” satellites that will help clean up space.
To be launched as soon as three to five years from now, CleanSpace One will rendezvous with one of two defunct objects in orbit, either the Swisscube picosatellite, or its cousin TIsat, both 1,000 cubic centimeters (61 cubic inches) in size. When the janitor satellite reaches its target, it will extend a grappling arm, grab it and then plunge into Earth’s atmosphere, burning up itself and the space junk during re-entry.
The Large Synoptic Survey Telescope, seen in this artist’s rendering, will be built on the peak of the Cerro Pachon mountain in Chile and will survey every patch of the night sky. The data the telescope will collect will allow researchers to “answer fundamentally different questions about the universe,” says one astronomer. Image: Todd Mason/LSST Corp.
Every 10 years, about two dozen of this country’s top astronomers and astrophysicists get together under the auspices of the National Research Council and make a wish list. The list has on it the new telescopes these astronomers would most like to see built. At the last gathering, they said, in essence, “We most want the Large Synoptic Survey Telescope.”
Here’s why. A synoptic survey is a comprehensive map of every square inch of the night sky. The Large Synoptic Survey — LSST — will do that multiple times.
“We want to scan the entire sky over and over again for 10 years,” says Sidney Wolff, president of the LSST Corp., who is in charge of building the new telescope. “And we will get over 800 images of every patch of the sky.”
Why would you want 800 pictures of the sky over 10 years? Well, it’s like taking a time lapse picture of the sky. Anything that moves or changes will be easy to see. “So one of the things we can do is, if there are any potentially hazardous asteroids out there that might impact the Earth and do significant damage, we will find them,” she says.
The telescope’s unique, compact design allows it to swivel very quickly to different parts of the sky. This gives astronomers the ability to capture images quickly. LSST Corporation.
Jim Moran explains why saving the planet will be an uphill struggle.
The recent development of the branch of philosophy called ‘environmental philosophy’, or as it is sometimes referred to, ‘environmental ethics’, has been characterized by a variety of theoretical disputes about the best way to provide a philosophical basis for engagement with the environmental problems facing us, now and in the future. Many of the early writers hoped that a new environmental ethics would emerge, embodying a set of principles that could help us deal with our relation to animals and the natural world in a way that traditional ethical theories seemed to have overlooked.
One of the early contributors to this project was Aldo Leopold, who was not a philosopher but a professor of forestry and land management. His famous essay ‘The Land Ethic’, found in his 1949 book The Sand County Almanac, has stimulated a great deal of discussion about the kind of principles we need to guide us on environmental issues. Leopold argued for the extension of what we see as worthy of our respect from the human community to include animals and the natural world, or what he referred to as ‘the biotic community’. His famous principle, briefly expressed, was, ‘A thing is right when it tends to preserve the integrity, stability and beauty of the biotic community. It is wrong when it tends otherwise’.
Leopold carried forward a discussion by nineteenth century conservationists about whether nature should be preserved only because of its economic and practical benefits for humans or because it provides value beyond merely supplying natural resources. He mentioned the songs of birds and the beauty of flowers as being part of nature’s bounty. He also brought into focus the importance of the interconnection of things in nature, defending the kind of holistic perspective which has since played such a crucial role in scientific ecology. He insisted that environmental ethics should focus on systems and not just on individual things. Our human dependence on nature cannot be understood without a deep ecological study of the interconnectedness of life. Rachel Carson’s famous 1962 book Silent Spring, which was so important in stimulating environmental awareness, is a good example of this approach to conservation.
Capital Growth is a partnership initiative between London Food Link, the Mayor of London Boris Johnson, and the Big Lottery’s Local Food Fund. It is championed by the Chair of the London Food Board Rosie Boycott and aims to create 2012 new community food growing spaces across London by the end of 2012. Capital Growth offers practical help, grants, training and support to groups wanting to establish community food growing projects as well as advice to landowners.
Ensuring that the genetic diversity of the world’s food crops is preserved for future generations is an important contribution toward the reduction of hunger and poverty in developing countries. This is where the greatest plant diversity originates and where the need for food security and the further development of agriculture is most urgent.
The Svalbard Global Seed Vault, which is established in the permafrost in the mountains of Svalbard, is designed to store duplicates of seeds from seed collections around the globe. Many of these collections are in developing countries. If seeds are lost, e.g. as a result of natural disasters, war or simply a lack of resources, the seed collections may be reestablished using seeds from Svalbard.
The loss of biological diversity is currently one of the greatest challenges facing the environment and sustainable development. The diversity of food crops is under constant pressure. The consequence could be an irreversible loss of the opportunity to grow crops adapted to climate change, new plant diseases and the needs of an expanding population.
PhyloPic stores free silhouette images of animals, plants, and other life forms. All images are available for reuse under a Public Domain or Creative Commons license.
Moving big animals to places they don’t already live is at once appealing and disturbing, a sort of adolescent environmental fantasy come to life: African lions in Nebraska! Komodo dragons in Australia!
But at the beginning of the 21st century, with 7 billion humans competing for space and resources on a rapidly warming planet, exercising arguable control over the fate of nature, moving species around is a legitimate option.
It’s called assisted migration. Often the goal is to save endangered plants and animals, though not always. Sometimes, as with the Komodo dragon proposal, the goal is to restore ecological balance, and other proposals are motivated by an almost romantic sense of possibility: Wouldn’t it be marvelous to watch cheetahs dash across the grasslands of South Dakota?
As an idea, assisted migration has been around for decades, but since the millennium’s turn it’s moved from a mostly fringe concept to something that scientists discuss, if not argue. After all, many examples of unwittingly assisted migration show what can happen when relocation goes wrong: Cane toads swarming across Australia, brown tree snakes devouring Guam’s birds, kudzu swallowing much of the southeastern United States, and of course the voracious Burmese pythons of Florida.
On the flip side, however, are pheasants and sweet clover, brown trout and Norway maple, which despite their non-native origins are now considered a natural part of North American life. Sometimes relocation works fine, and an argument can be made that consciously acting as landscape-scale zookeepers and gardeners is a legitimate response to impending catastrophe.
Written by Brandon Keim, WIRED Science. Continue HERE
An hour south of Lethbridge, Alberta, and twenty minutes from Montana, Milk River is one of the last Canadian towns before the border. The one-block downtown is Prairie minimalist: a Chinese restaurant near a lonely stop sign, beyond it a bank, and across the highway, yellow and green grain elevators. Just west of town, the pavement peters out to a gravel range road, and to the south the Milk River surges with flood water. From the Rockies to Medicine Hat, this usually dry country, where researchers scour barren coulees for dinosaur bones, was awash in six days of uninterrupted rain. Pincher Creek declared an emergency; High River faced its namesake. Though troubling, this spring’s wet weather provided an ironic counterpoint to my objective: to find the century-old Spite Canal, an artifact of Canadian-American history born of drought and embodying the enmeshed nature of the two countries’ relationship with water.
Looking north across treeless hills, I saw a conspicuously straight line emerge from the rain. My rental car vibrated over a Texas gate, and minutes later I scrambled up a grassy embankment. Beyond it was a ditch about two metres deep that followed the contour of the land northward. This crude trench — unmarked, largely unremembered, and now crumbling back into the prairie — is the physical fact on the ground that induced Teddy Roosevelt’s chest-beating America to sign a treaty with Canada that is still lauded today.
Its origins can be traced to the late 1800s when settlers north and south of the forty-ninth parallel relied on two rivers: the St. Mary and the Milk. Both flow from Montana into Canada before diverging; the St. Mary carrying on to Hudson Bay, the Milk turning back into Montana after looping 250 kilometres through Canada. Rising high in the mountains, the snow-fed St. Mary ran strongly all summer; the Milk, born in the foothills, often dried to a trickle. That led the Americans to launch a plan in 1901 to divert water out of the St. Mary and move it across the foothills to the Milk and their ranches in Montana.
Zoroastrianism traditionally conceives death as a temporary triumph of evil over good: rushing into the body, the corpse demon contaminates everything it comes in contact with.
The flesh of a dead body being so unclean it can pollute everything, a set of rules had to be created in order to dispose of the corpse as safely as possible: as the natural elements of earth, air and water are sacred, the corpses were not to be thrown upon the water or interred. Cremation was also forbidden, as fire is the direct -purest- emanation of the divinity.
Hence a complex ritual was developed, in which the corpses would be eventually exposed to birds of prey and thus devoured, in a final act of charity.
After death every division of class and wealth disappeared, for all deceased would be treated equally.
A proper architectural typology was invented solely for the purpose of burial’s ritual: transported in the desert by nasellars (traditional zoroastrian pallbearers), the bodies of the deceased were then carted onto sandstone, forbidding hills, to be eventually disposed on cilindrical constructions called Towers of Silence.
Via Socks Studio. Please be aware that some of the images at the end of the post are extremely graphic. Viewer discretion is advised. Continue HERE
OK, so it’s not real spaghetti — it’s a computer visualization of the complex magnetic field that creates Earth’s magnetosphere — but it sure looks tangled.
Using the awesome power of a Cray XT5 Jaguar supercomputer, a team of space physicists are unlocking some of the biggest mysteries surrounding how the sun’s magnetic field interacts with our planet’s magnetosphere. They basically want to understand what happens when global magnetic fields become tangled to the extreme.
Space physicists categorize these interactions under “space weather,” and they are responsible for some of the Earth’s most powerful (and beautiful) atmospheric events.
“When a storm goes off on the sun, we can’t really predict the extent of damage that it will cause here on Earth. It is critical that we develop this predictive capability,” said Homa Karimabadi, a space physicist at the University of California-San Diego (UCSD).
Our built environment doesn’t have to be static. With the right synthetic biology, it can respond automatically to changes in temperature or moisture level, and even react to natural disasters, hunkering down during earthquakes or removing toxins after a toxic spill.
Synthetic-biology-based approaches to design practices, which have a material engagement with design and engineering practices, propose a new set of conditions in which architectures can alter their characteristics to suit changing environmental conditions. Living materials raise the possibility that buildings can make a positive impact on their local surroundings by performing remedial functions, that the construction of architecture could actually heal a stressed environment, for example, by removing toxins or fixing greenhouse gases. These new technologies could be on building exteriors, which present a managed interface with the environment.
Responsive architectures that are sensitive to their local environment can revitalize cities and equip communities with the ability to deal with and recover from radical disturbances in their surroundings, such as a natural disaster. Indeed, all cities should be designed with environmental crises in mind, whether they have reached the proportions of a megacity or not. Densely populated areas need to be considered potential disaster zones, where living spaces are at risk from the accumulation of toxic waste and from physical damage as a consequence of our unstable Earth. Given the present environmental challenges and worldwide population growth, fundamental changes in the expectations of buildings must be considered globally. This is a more urgent and radical requirement than current notions of sustainable development that pander to industrial developers; it promotes and demands an immediate rethinking of the way that we build our homes and cities. The strategic use of these new materials, woven into the substance of the urban landscape on building surfaces and into structural fabrics, provides an opportunity for buildings to actively participate in environmental challenges.
This installation was created with protocells, DNA-less chemical systems that can be programmed to form structures. Is this what you’re going to live in in the future?
Jim Bumgardner: To make this, I downloaded public data from Hipparcos, a satellite launched by the European Space Agency in 1989 that accurately measured over a hundred thousand stars. The data I downloaded contains position, parallax, magnitude, and color information, among other things.
I used this information to plot the brightest stars, and cause them to revolve about Polaris (the North Star) very slowly, as the stars appear to do. Like the night sky, this is a sidereal time clock — it takes nearly 24 hours for the stars to fully rotate. You’ll notice some familiar constellations, such as the Big Dipper in there. As the stars cross zero and 180 degrees, indicated by the center line, the clock plays an individual note, or chime for each star. The pitch of the chime is based on the star’s BV measurement (which roughly corresponds to color or temperature). The volume is based on the star’s magnitude, or apparent brightness, and the stereo panning is based on the position on the screen (use headphones to hear it better).
Basically, this is a very literal kind of “music of the spheres,” and is typical of my projects, which often involve circles and music. This idea for making a music box out of stars was a natural progression from some previous projects of mine, like the Whitney Music Box, and Musical Chess, which you might also enjoy.
If you’d like a large, high fidelity Wheel of Stars to project on the ceiling of your home, gallery or museum, contact me. I’d be happy to provide you with software or suggestions.
Amidst society’s hopes for a green future, the power of working with nature is still not sufficiently understood or exploited. Too many visions remain divorced from the end user. Claudia Pasquero and Marco Poletto, the architects and co-founders of London-based ecoLogicStudio, feel that ‘using and interacting with natural elements in a symbiotic way can become a game with ecological benefits.’ Recently they have focused on the potential of algae—micro-algae are used for energy, while macro-algae—like bio-radars or generative agents—is used for filtering water and making food.
New symbiotic algae and seafood/fish farms generated in Crane Greenhouses
As global regions undergo structural and demographic shifts, agritourism and algae farms have huge potential, but models need testing and feedback from people, so that prototypes can be optimally identified as multi-use educational resources related to their living context. ‘You don’t have so many choices at the moment. There is a detachment of production from consumption, when even recycling can be fun’, say ecoLogicStudio. Their Algae Farm for the Swedish Municipality of Simrishamn demonstrates the interactive potentials for algae-related urban activities and architectural prototypes. Here on the Ostersjiön region of Sweden on the Baltic Sea a decaying fishing industry and aging local population ‘calls for the introduction of a new type of economic and urban system.’
HORTUS (Hydro Organisms Responsive To Urban Stimuli) is a new exhibition from ecoLogicStudio that engages with the notions of urban renewable energy and agriculture through a new gardening prototype. Over a four-week growing period, flows of energy (light radiation), matter (biomass, carbon dioxide) and information (images, tweets, stats) will be triggered to induce multiple mechanisms of self-regulation and evolve novel forms of self-organisation. HORTUS proposes an experimental hands-on engagement with these notions, illustrating their potential applicability to the masterplanning of large regional landscapes and the retrofitting of industrial and rural architectural types, as exemplified in the project ‘Regional Algae Farm’ developed by ecoLogicStudio for the Swedish region of Osterlen.
Architectural Association School students, staff and visitors are invited to engage daily with HORTUS to invent new protocols of urban biogardening. A virtual organism such as this offers the opportunity to capture and build up information and cultivation practices, enriching the material experience of the visitor turned urban ‘cyber-gardener’.
Privately commissioned to create a gift for an architect, Daniel Weil created a one-of-a-kind clock that is both simple and complex. Reducing objects to their component parts has long fascinated Weil. The Radio in a Bag he created for his degree show at the Royal College of Art three decades ago is an icon of 20th century industrial design. This clock is the latest demonstration of his interest in investigating not just how objects look, but how they work.
The Clock for an Astronomer follows Clock for an Architect and Clock for an Acrobat as part of the “Matter of Time” series of unique timepieces designed by Pentagram’s Daniel Weil.
“The sun is the celestial time setter, and timekeeping is its terrestrial reflection,” says Daniel Weil.
By looking at the wavelengths of light from nearby stars, researchers have determined the abundance of certain elements for more than a hundred stars. Trace elements in such stars may influence their habitable zones, where planets with life might dwell.
A star’s energy comes from the combining of light elements into heavier elements in a process known as fusion. Our Sun is currently burning, or fusing, hydrogen to helium. After the hydrogen in the star’s core is exhausted, the star can burn helium to form progressively heavier elements, carbon and oxygen and so on, until iron and nickel are formed. Supernova explosions result when the cores of massive stars have exhausted their fuel supplies and burned everything into iron and nickel. Credit: NASA
Trace elements in stars may influence the evolution of habitable zones around them where life as we know it might dwell, scientists now find.
Stars are made nearly entirely from hydrogen and helium gas. Still, traces of heavier elements — which astronomers call metals, even if they are not what one normally think of as metals — can be found in stars as well, either inherited from the remains of older stars or forged via nuclear fusion.
Scientists can detect what elements a star possesses by looking at its light, which comes in a wide variety of wavelengths, some visible, many invisible. The wavelengths of light that matter emits often comes in specific clumps or lines, which can act like a fingerprint, revealing the identity of the material in question.
By looking at the wavelengths or spectra of light from nearby dwarf stars as part of searches for alien worlds, or exoplanets, researchers have with high precision determined the abundance of certain elements for more than a hundred of these stars, with more to come. Now researchers suggest variations in the compositions of these stars could impact the habitable zones around them.
The whistled language of La Gomera Island in the Canaries, the Silbo Gomero, replicates the islanders habitual language (Castilian Spanish) with whistling. Handed down over centuries from master to pupil, it is the only whistled language in the world that is fully developed and practised by a large community (more than 22,000 inhabitants). The whistled language replaces each vowel or consonant with a whistling sound: two distinct whistles replace the five Spanish vowels, and there are four whistles for consonants. The whistles can be distinguished according to pitch and whether they are interrupted or continuous. With practice, whistlers can convey any message. Some local variations even point to their origin. Taught in schools since 1999, the Silbo Gomero is understood by almost all islanders and practiced by the vast majority, particularly the elderly and the young. It is also used during festivities and ceremonies, including religious occasions. To prevent it from disappearing like the other whistled languages of the Canary Islands, it is important to do more for its transmission and promote the Silbo Gomero as intangible cultural heritage cherished by the inhabitants of La Gomera and the Canary Islands as a whole.
Landscape-related professions that deal with constant loneliness, such as shepherds, hunters or fishermen, profit from this system to warn the others from dangers, emergencies, wolf attacks or enemy invasions.
There are whistled communication methods in every main family of languages: French Pyrenees, Turkey, Mexico, Greek islands, Amazon forests, North Vietnam Hmong peoples, or desert zones in West Africa. Listen HERE
A couple of space colony summer studies were conducted at NASA Ames in the 1970s. Colonies housing about 10,000 people were designed. A number of artistic renderings of the concepts were made. These have been converted to jpegs and are available as thumbnails, quarter page, full screen and publication quality images. Illustrations by Don Davis.
Interior including human powered airplane
Colony construction crew at work
Colony construction crew at work
Interior view including looking through large windows
Interior view with long suspension bridge
Toroidal Colonies. Cutaway view, exposing the interior
A scale model of our solar system in twelve 500 page volumes printed-on-demand. On page 1 the Sun, on page 6,000 Pluto. The width of each page equals one million kilometers.
This film takes us through the first volume where we encounter the Sun, Mercury, Venus, Earth, Mars and the Asteroid Belt.
There’s no doubt ancient astronomers were clever folk. Realizing Earth was round, estimating the Sun’s distance, discovering heliocentricity — it’s quite a list. But Brad Schaefer (Louisiana State University) suggested at the recent American Astronomical Society meeting in Austin that we should add another light bulb to the glow shining from history: ancient astronomers may have corrected for dimming caused by the atmosphere, centuries before anyone came up with a physical model for it.
This dimming is called atmospheric extinction. Extinction happens because starlight has to pass through Earth’s atmosphere in order to reach us. But the effect isn’t uniform: if you spend time stargazing you’ve probably noticed that a star high up in the sky’s dome looks brighter than it does as it slides toward the horizon. That’s because light coming to us from near the horizon passes through more atmosphere than if it shines straight down from overhead. (The Sun looks redder at sunset and sunrise for the same reason.)
Astronomers have cataloged stars’ magnitudes for at least two millennia, all the way back to an ancient document called the Almagest. It was the Almagest that Schaefer began with — but his goal wasn’t to determine if astronomers in olden days accounted for extinction. He wanted to use the brightnesses reported in it to decide a long-standing debate over who wrote the catalog in the first place, Hipparchus of Rhodes (circa 150 BC) or Ptolemy of Alexandria (circa AD 150).
Written by Camille Carlisle, SKY & Telescope. Continue HERE
Image above: Frontispiece illustration from a Venetian 1496 edition of the Almagest, depicting Ptolemy instructing the 15th-century astronomer Regiomontanus (also known as Johannes Müller von Königsberg). Above the men is the zodiac, encircling the celestial sphere. Zachariel / Wikimedia Commons
Continuing from the Dawn of Social Networks: Ancestors May Have Formed Ties With Both Kin and Non-Kin Based On Shared Attributes. HERE
If you ever sit back and wonder what it might have been like to live in the late Pleistocene, you’re not alone. That’s right about when humans emerged from a severe population bottleneck and began to expand globally. But, apparently, life back then might not have been too different than how we live today (that is, without the cars, the written language, and of course, the smartphone). In this week’s Nature, a group of researchers suggest that we share many social characteristics with humans that lived in the late Pleistocene, and that these ancient humans may have paved the way for us to cooperate with each other.
Modern human social networks share several features, whether they operate within a group of schoolchildren in San Francisco or a community of millworkers in Bulgaria. The number of social ties a person has, the probability that two of a person’s friends are also friends, and the inclination for similar people to be connected are all very regular across groups of people living very different lives in far-flung places.
So, the researchers asked, are these traits universal to all groups of humans, or are they merely byproducts of our modern world? They also wanted to understand the social network traits that allowed cooperation to develop in ancient communities.
Written by By Kate Shaw, Ars Technica. Continue on Wired HERE
The day when heavy machinery and manpower transformed a Dutch beach into a lunar landscape of hills and craters. At sunset the labor stopped, and a live drumbeat announced the ceremony of a woman, gracing this imaginary moon with an American flag. The same evening, while the party still went on, the landscape was flattened out again, leaving no physical trace of the event behind—save the memories and a story to tell future generations.
Oterp is a mobile phone game project using a GPS sensor to manipulate music in real time, depending on the player’s position on Earth. It generates new melodies when traveling. The objective of Oterp is to mix the reality of our everyday environment with a video game. This is a new way to imagine our movements in a society increasingly on the move and dependent on mobile interfaces.
The Guerrilla Grafters are a group of San Franciscans who believe urban trees are a precious thing to waste on simple flowers. Their goal is to graft- albeit illegally- fruit bearing branches onto non-fruit bearing fruit trees, in hopes that over time the cities ornamental trees can provide food for residents free of charge.
In this video, we follow Guerrilla Grafters Tara Hui and Booka Alon as they check up on their surreptitious grafts, perform a bit of pruning and search for their trees’ first fruit.
The Guerrilla Grafters graft fruit bearing branches onto non-fruit bearing, ornamental fruit trees. Over time, delicious, nutritious fruit is made available to urban residents through these grafts. Our web application helps grafters to find graftable trees, to track how grafts are doing, and helps to facilitate gleaning of fruit. It is built by a laterally organized group using all open source code. We aim to prove that a culture of care can be cultivated from the ground up. We aim to turn city streets into food forests, and unravel civilization one branch at a time.
Satellite photos used to be for military eyes only, but Google Earth changed all that. Now something similar is happening to the ocean depths, with any web user able to listen in and “surf the sea floor” – and the US Navy is not happy.
“The cable is going underneath here,” says Benoit Pirenne, standing at the water’s edge on Canada’s Vancouver Island. “It’s going out 500 miles (800km) in a big loop in the ocean, coming back in the same place.”
The Vancouver cable connects a network of scientific instruments on the floor of the north Pacific, some as deep as 1.5 miles (2.5km).
Set up by Pirenne and his colleagues at the University of Victoria, and called Neptune Canada, they continuously monitor the marine environment.
Ocean floor listening posts in the north Pacific off Vancouver Island
The scientists are harvesting large amounts of information, including water pressure readings that help them better understand the movement of tsunamis through oceans, which they hope will lead to more accurate warning systems.
But they are also listening.
Pressure-sensitive microphones pick up the live sounds of everything from whales and shipping to seismic activity and the movement of tectonic plates, and this audio is shared with scientists all over the world.
It’s also now available to anyone else with an internet connection.
Written by Rhitu Chatterjee and Rob Hugh-Jones at BBC News. Continue HERE
What existed before the big bang? What is the nature of time? Is our universe one of many? On the big questions science cannot (yet?) answer, a new crop of philosophers are trying to provide answers.
Last May, Stephen Hawking gave a talk at Google’s Zeitgeist Conference in which he declared philosophy to be dead. In his book The Grand Design, Hawking went even further. “How can we understand the world in which we find ourselves? How does the universe behave? What is the nature of reality? Where did all this come from? Traditionally these were questions for philosophy, but philosophy is dead,” Hawking wrote. “Philosophy has not kept up with modern developments in science, particularly physics.”
In December, a group of professors from America’s top philosophy departments, including Columbia, Yale, and NYU, set out to establish the philosophy of cosmology as a new field of study within the philosophy of physics. The group aims to bring a philosophical approach to the basic questions at the heart of physics, including those concerning the nature, age and fate of the universe. This past week, a second group of scholars from Oxford and Cambridge announced their intention to launch a similar project in the United Kingdom.
One of the founding members of the American group, Tim Maudlin, was recently hired by New York University, the top ranked philosophy department in the English-speaking world. Maudlin is a philosopher of physics whose interests range from the foundations of physics, to topics more firmly within the domain of philosophy, like metaphysics and logic.
Yesterday I spoke with Maudlin by phone about cosmology, multiple universes, the nature of time, the odds of extraterrestrial life, and why Stephen Hawking is wrong about philosophy.
Written by Ross Andersen. Interview with Tim Maudlin HERE