Jo Hamilton

Jason Freeman is an Associate Professor of Music in the College of Architecture at Georgia Institute of Technology.

The Center for PostNatural History is dedicated to the advancement of knowledge relating to the complex interplay between culture, nature and biotechnology. The PostNatural refers to living organisms that have been altered through processes such as selective breeding or genetic engineering. The mission of the Center for PostNatural History is to acquire, interpret and provide access to a collection of living, preserved and documented organisms of postnatural origin.

The Center for PostNatural History addresses this goal through three primary initiatives:

The maintenance of a unique catalog of living, preserved and documented specimens of postnatural origin.

The production of traveling exhibitions that address the PostNatural through thematic and regional perspectives.

The establishment of a permanent exhibition and research facility for PostNatural studies.

Text via The Center for PostNatural History

72 Hour Urban Action is the world’s first real-time architecture competition, where 10 international teams have 3 days and 3 nights to design and build projects in public space in response to local needs.

Urban Action is a civic design practice that involves residents, decision makers and professionals. It harnesses creative thinking and existing resources within a community to rapidly make places. Through the power of temporality and experimentation, it encourages participation and a lasting change of perception. Through an extreme deadline, a tight budget and limited space, Urban Action sets the imagination free to allow for new possibilities and players in public space.

In July 2012, 72 Hour Urban Action is coming to Stuttgart to work together with local cultural activists. The world’s 1st real-time architecture competition will be the kick-off of a series of major urban interventions. All around the site of the largest urban redevelopment in Europe – Stuttgart 21 – the center of a 30 year heated public debate.

Text via 72 HOUR URBAN ACTION

On May 14, Jeannette Ginslov gave a Medea Talk about the developmental stages of the AffeXity project, the interdependence of the collaborators, the relational and dynamic formation of technical and human intervention, the encounters of the carnal and the digital, the dialogic and temporal scaffolding of encounters of techne and the hands that attempt to capture affect.

JEANNETTE GINSLOV is Medea’s artist-in-residence this spring. Her roots are as performer, choreographer and artistic director in South Africa, but for the last five years she has focused more on interdisciplinary platforms investigating the crossover between the media/dance/cinema/video and the internet.

Her work centers around affect, haptic and digital materiality on several platforms: stage, screens, online and new media applications. Ginslov is currently working with Prof Susan Kozel at Medea on the project AffeXity that draws together screendance, visual imagery and mobile networked devices.

Text Via MEDEA

Baby time-lapses – which see parents take daily images of their child, and run them together – are becoming increasingly common. So are they now the ultimate way of documenting a child’s development?

Parents have always been fond of storing sentimental keepsakes – a first tooth or lock of hair – as their child grows up.

And pictures marking significant milestones – birthdays or their first day of school – are a mainstay of mantelpieces.

But there is now a much more ambitious trend in cataloging a child’s growth. And rather than being something typically kept within the privacy of the home, it prides itself on going public.

Excerpt of an article written by Vanessa Barford, BBC. Continue HERE

By exploiting the subjective, associative impact of smells, in combination with visual images, Peter De Cupere generates a kind of meta-sensory experience that goes beyond purely seeing or smelling. Plastic artist De Cupere paints with scents, produces olfactory objects, soap paintings and sculptures, creates video and live performances, makes three-dimensional drawings and builds poetic smell installations.

Everyone who has ever smelt Peter De Cupere‘s work cannot fail to recognise that his works prompt quite a reaction. You either love it or you feel attacked via your nasal senses. If the latter is true it is often because the spectator adopts a reserved attitude at first as a result of being wary of the unknown. That is exactly why smells in art have been and are still positively avoided. People like to compare and want a return or recognition. This is difficult with smells because they act directly on the limbic system and don‘t give you the necessary time and chance to translate things like you do with „sight“. Smells act on your memory subconsciously and so you associate your own subjective feelings with a specific smell. Your attitude to the object is determined by the smell memory of a certain moment. Add then the combination with the visual aspect of the artwork and you get a mix that does not appear to be completely predictable. Alongside the pleasance of some smells there are also smells that warn us of danger though we do not always need these indications because of habituation. If you cross the street there are many damaging smells present because of pollution: exhaust fumes, rotting processes from discarded foodstuffs, toxic fumes from asphalt and other building materials that are freed by heat from the sun, polluted rain, sewers, etc. But the normal city person has become used to all the exhaust fumes and other air-polluting substances.

Smoke Room, 750.000 used cigarette butts.

Olfactiano: A piano-like instrument that emits different smells when played called ‘Scent Concerts.’

Smell Me Project.

Text via Peter De Cupere

First image above VIA

The equivalent of two Earths will be required to support the world’s population by 2030. That is the stark warning made by the WWF’s Living Planet Report 2012, which was put together in collaboration with the Zoological Society of London (ZSL) and the Global Footprint Network. It warns that the size of the planet’s population and the resulting consumption of environmental resources, such as food and fuel, is unsustainable at current rates. “If we keep on taking more renewable resources than can be replenished, then eventually they will become depleted,” the report stated. “This has already happened locally in some places, for example the collapse of cod stocks in Newfoundland in the 1980s.

Excerpt of an article written by Nicholas Edmondson, IBT. Continue HERE

Download the Living Planet Report 2012 HERE

Fast forwarding from ca 1000 AD until 2003 showing Europe’s shifting borders, alliances, unions, territories, occupied land, etc.
Software: Centennia
Music: Inception OST

“This house wants to defeat aging entirely” (Part 1 – Main debate)
Dr. Aubrey de Grey (proposing) and Professor Colin Blakemore (opposing)

A public debate organized by Oxford University Science Society, held in the Sheldonian Theater in Oxford on April 25th, 2012.

(Part 2 – Audience Q&A)

Dr. Aubrey de Grey: De Grey’s research focuses on whether regenerative medicine can thwart the aging process. He works on the development of what he calls “Strategies for Engineered Negligible Senescence” (SENS), a tissue-repair strategy intended to rejuvenate the human body and allow an indefinite lifespan. To this end, he has identified seven types of molecular and cellular damage caused by essential metabolic processes. SENS is a proposed panel of therapies designed to repair this damage. Text via Wiki

Professor Colin Blakemore: Professor Colin Blakemore, Ph.D., FRS, FMedSci, HonFSB, HonFRCP, is a British neurobiologist who is Professor of Neuroscience at the University of Oxford and University of Warwick specialising in vision and the development of the brain. He was formerly Chief Executive of the British Medical Research Council (MRC). He is best known to the public as a communicator of science but also as the target of a long-running animal-rights campaign. According to The Observer, he has been both “one of the most powerful scientists in the [UK]” and “a hate figure for the animal rights movement”. Text via Wiki

Photographer Paolo Patrizi has documented the daily routine of a wrestler and the strict codes of behavior associated with it. Click HERE for more.

You can also watch a documentary produced by National Geographic called Sumo Kids (full documentary)

“Zack loves dinosaurs but until now he has never seen one bigger than himself. This is his reaction. Zack is 2 1/2 years old.”

“What if materials could defy gravity, so that we could leave them suspended anywhere in mid-air? ZeroN is a new tangible interface element that can be levitated and moved freely by computer in a three dimensional space. Both the computer and people can move the ZeroN simultaneously. In doing so, people and computers can physically interact with one another in 3D space.

ZeroN can remember how it has been moved. Physical motions of people can be collected in this medium to preserve and play them back indefinitely. When the users move release the ZeroN, it continues to float and starts to move along the same path. This allows a unique, tangible record of a user’s physical presence and motion which will continue to exist even after the death of the person.”

Text via Jinha Lee

A ventricular assist system, or VAD, is a implantable device that is used to help a failing heart pump blood through the body, often while the patient is awaiting a heart transplant. It consists of a control system and an energy supply worn outside the body and a pump implanted by the heart or in the abdominal pouch. VADs are generally used to take blood from the left ventricle or deliver it to the aorta. They may also be used to take blood from the right ventricle and deliver it to the pulmonary artery. The latest VADs use continuous-flow pumps that use electric currents to spin a rotor that accelerates blood through the pump. The rotor uses electromagnetic or hydrodynamic suspension instead of ball-bearing suspension, reducing wear-and-tear on the rotor. Source: American Heart Association, FDA

Neuroscientist James Fallon is a self-styled “hobbit scientist.” The rules are simple: Don’t talk to the press and don’t go out of your area of expertise. But when a fascinating new brain scanner enters the lab, Fallon can’t resist. He ends up breaking both rules, and learns a lot more about himself than he bargained for.